Léa Seydoux Wears Maxime Simoens To Pick Up Palme d’Or Award For Lesbian Love Film

After 12 days of glitz, couture and Roberto Cavalli cut-outs, the 2013 Cannes Film Festival is all packed up for another year. Boo! Where are we going to get our daily glamour fix from now, eh? The festival ended with a bang that included the glitzy closing ceremony, the premiere of Zulu as well as the 'Palme d'Or' award. And this year the prestigious prize was awarded to...drum roll please... Blue Is The Warmest Colour - a French produced film about a passionate lesbian relationship. Congrats!

The leading actors Léa Seydoux and Adèle Exarchopoulos and Tunisian born director Abdellatif Kechich posed with their gong in front of the sparkling Riviera. Lea also won in the fashion stakes thanks to a monochrome Maxime Simoens gown designed specifically for her to walk the red carpet at Cannes. The black silk crepe gown featured a fake white jacket covered in Swarovski crystal fabric. With a chic colour palette and figure-hugging silhouette, this look is Cannes at it's very best. The starlet paired her frock with a chic chignon and a handful of Chopard diamonds, natch.

Léa's co-star Adèle Exarchopoulos was a world away from the Balmain '80s power mini she wore to the premiere of Blue Is The Warmest Colour, as she opted for a white floaty one-shoulder Gucci gown with pretty ruffles at the neck. 

The Palme d'Or citation usually just awards the director - but the two actors were also included this year. The jury president Steven Spielberg said: 'It was an obvious conclusion that without Léa and Adèle, the synergy could not have happened. If the casting had been even slightly different, if anything had been a little left of centre, it wouldn't have worked. It was the perfect choice from a sensitive film-maker.'

Spielberg said of the coming-of-age lesbian love story: 'The film is a great love story … We were absolutely spellbound by the two brilliant young actresses, and the way the director observed his young players.' He added that the decision to award this (often explicit) lesbian film with the Palme d'Or had nothing to do with the debate over the legalisation of gay marriage in France, as he said 'As you know, the characters in this film do not get married. Politics did not enter the room with us.'

Bérénice Bejo also picked up the award for best actress in The Past, wearing a teal Elie Saab over the knee frock with matching suede Louboutins. 

Get a taster of the winning film by watching the trailer below...

The best wedding hairstyles

The Errol Douglas Bridal team, with over two decades of experience in big day hair, reveal how to transfer this year’s biggest red carpet hair trends to the aisle.

Veronica Lake, polished waves
“For timeless ‘old school Hollywood’ glamour, high polished 1940s waves were favoured by many celebrities on the red carpet. This look makes the most of long hair and is perfect for brides who may not feel comfortable with their style pinned up” says Anna Bloomer, Senior Stylist Artistic Team.

Get the look:
“Prep hair with a styling cream to ensure a smooth foundation texture. Tong hair in inch width sections and pin curl to the scalp to keep strength to the curls as the hair cools. Then using a soft bristle or paddle brush loosen the hair out and brush through repeatedly until the hair begins to soften out into a continuous smooth wave. Finish with hairspray and a shine spray that’ll give that high shine seen on the red carpet. It’s a beautiful classic look”.

Retro updos
“Hair ups have departed from the tousled messy styles of last year and hair looks healthy, shiny and impeccably groomed. Grace Kelly and Audrey Hepburn are ultimate inspirations for this fresh bridal look” says Anna.

Get the look:
“Prep wet hair with volumising spray and Moroccan Oil Revitalising Treatment to stop frizz, then using a large round brush blow dry volume and curve into your hair. My top tip is to use a nozzle on your hairdryer as this will give smooth airflow as you’re drying, tightening and smoothing the cuticles to give gorgeous shine. Backcombing is essential for body and strength to your updo which will support veils or tiaras and last all day. Side partings are stunning if you have shorter lengths around the face. Centre and swept back will emphasise your eyes and cheekbones beautifully. The back of such styles can be set into a bun/chignon or twisted vertically into a pleat, then smooth over the backcombed top sections using a soft brush and grip into the back shape to connect the style. Finish with some Moroccan Oil Luminous Hairspray for hold without texture change”.

Short and sweet crops
“If you have short hair this season’s red carpet proves there’s no need to feel pressure to grow it out for your wedding day! Anne Hathaway has championed short cropped haircuts that maintain femininity and ooze chic” says Anna.

Get the look:
“Ask for a cut that is softly textured throughout to prevent a short style from seeming masculine. Use a light oil on wet hair and dry in with your finger tips to add a luminous and soft finish”.
Jessica Speechly, Head Of Colour, adds: “It’s important with short hair to not try to add too many colours. A bold solid colour will enhance the cut and the natural movement in short cuts gives the look of highlights and dimension”.

The classic updo: Buns and chignons
“I love the way high buns on Amy Adams or an intricate take on the chignon on Jennifer Lawrence bring just the right amount of wow to an essentially classic red carpet and bridal style. Both flatter the face but really do deliver on the big day” Anna says.

Get the look:
For a reliable foundation for your look to hold all day, work through a styling cream from mid length to ends. This will add moisture and suppleness to the texture. Set your hair on medium size rollers, making sure each section of hair is about an inch in depth and width. Once rollers are cool remove then loosen the shape with a rake comb. Section the top part of your hair away, level with the top of your ear, bring the lower section back into a ponytail and place a sponge donut over the top pinning your hair around it to conceal and keep securely into place. Work visually in a mirror and bring the rest of your hair back and wrap over and around the bun pinning spraying as you go. Tip: spraying each section as you pin it into place will give great hold but a softer finish, visible droplets of heavily applied spray once you’ve finished will spoil the effect completely! Moroccanoil Luminous Hairspray is perfect, it gives a fine mist with flexible hold.

Frizz-free flowing locks
“Healthy long hair maintained in the run up to the big day is the best excuse to embrace a flowing look with it down and centre stage. It’s glamorous, softening and as Rhianna demonstrated just as dramatic as an up do when executed correctly. A loose sexy wave is timeless” Anna says.

Get the look:
“What I call the gloss count is crucial to this look, and some of it is created by thickness and condition. To eliminate frizz, the Keratin treatment is a game changer: It infuses the hair with the protein it naturally produces lasts for up to two months, making the honeymoon a frizz free zone too! It’s also a process that invests in hair condition rather than stripping it. Adding length and depth to medium length hair with a few rows of weave is also a really easy way to boost healthy locks and add a little next level depth for the big day. The blow dry for this begins at the roots, with a good wet hair preparation with a styling cream, a good barrel brush and tongs on random pieces of the hair for mid to end wave once dry”.
Jessica Speechly, Head of Colour adds: “Soft sunkissed highlights give enhancement without looking over done. It’s a great way to play or introduce colour without committing”
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Solange Knowles, Princess of the Printed Two-piece

Solange Knowles gives us a serious sartorial lesson on how to wear punchy prints and colour-popping co-ords

If the Queen is, er, Queen of Co-ords, then Solange Knowles is surely Princess of the Printed Two-Piece!

Beyoncé's super-stylish younger sister has been busting out a series of serious matchy-matchy co-ords of late, and we're loving her work.

It's no secret that the musician, mother, model and DJ (phew!) has a penchant for print which she colour clashes with aplomb. It clearly isn't just music she can mix. Printed two-pieces are her trademark look - but it's almost as though she's become addicted to pattern.

To be fair, whenever Solange attempts to tone things down with single, neutral shades, she just looks odd. A little bit naked. And she seems to lose her sense of sartorial supremity.

Take, for example, her sheer Stéphane Rolland dress at Cannes Film Festival last week. It was a pretty enough, but just looked a bit, well, dull on our Solange. This was then followed up by a white jumpsuit a few days later. Again, it was a nice piece but Solange looked like a watered down version of herself.

The thing is, punchy prints and colourful co-ords have become Solange's signature look, and we can learn a lot from the way she works them:

MICRO TREND: MATCHING YOUR LIPS AND TIPS

Taking Solange as our style cue, here are our top tips on how to wear printed two-pieces:

• Match up your prints top and bottom to streamline your look

• Be bold with your shoes and bag, too but pick out a colour from the print and tone in accordingly

• By the same token, don't be afraid to add a colour pop of bright lipstick and matching nails to offset the look - but keep the rest of your makeup low-key to avoid looking like Krusty the Clown

• However, your other accessories should be very minimal - if any at all - try just a few fine gold rings

• Break up the expanse of pattern with a flash of flesh - by wearing open-toe sandals, for example, or with a deep V-neckline on your top half.

• Finally, carry yourself with confidence! If you go for such a strong style statement, you're sure to be looked at!

Marion Cotillard To Carey Mulligan: See All The Latest Red Carpet Looks From Cannes

The 2013 Cannes Film Festival is in full swing, kicking off with the premiere of 'The Great Gatsby'. The red carpet is rolled out and Carey Mulligan, Leonardo DiCaprio and the rest of the A-list cast have posed for their first appearance in front of the sparkling Riviera water for photocall and hit the red carpet for the swanky premiere.

Audrey Tautou started her role as mistress of ceremonies by attending a photocall in a yellow RedValentino pretty floral tea dress. If you think you've seen this pretty little number before, it's the same frock that Alexa Chung wore to the Grammys back in February, remember? It's a good very start for the French darling, so we're predicting some flawless red carpet appearances and more than a few Chanel numbers.

The Great Gatsby premiere

The party kicked off with the premiere of the Great Gatsby, where Carey Mulligan, Cara Delevingne, Leo DiCaprio, Isla Fisher and more walked down a soggy red carpet, sheltered by umbrellas. Carey didn't go back to black, as she opted for a pale pink Dior couture gown with a bold red lip. Cara Delevingne went all out Hollywood glam in a black Burberry lace gown, sprinkled with Chopard diamonds and a scarlet pout. Frieda Pinto wore a Gucci pink floor sweeper, Isla Fisher wore a red ruffled Oscar de la Renta and Nicole Kidman wore a strapless embroidered floral Christian Dior couture frock.

The Great Gatsby photocall

Ms Mulligan, who seems to be allergic to embellishment, frothy frocks and colour, continued her minimal-chic streak at the Great Gatsby photocall, in a strapless black Balenciaga jumpsuit with delicate beading and a simple bow on top of the circular bodice. While Isla Fisher looked oh so pretty in a white lace simple shift dress, with killer red lippy.

The Bling Ring premiere

Emma Watson looked the epitome of elegance at the Bling Ring premiere, adorning her black and white Chanel dress with three earcuffs. 10 points for Griffindor.

Inside LLweyn Davis

Jessica Biel managed to upstage her hubby Justin Timberlake at the premiere of Inside Llewyn Davis, wearing a showstopping Marchesa gown. Carey Mulligan made her millionth red carpet appearance and still looked amazing, spicing up her demure black and white Vionnet dress with a towering pair of Brian Atwood ‘Aida’ sandals.

Crop Tops And Real Life Princesses: Grazia's Night At The Dior Cruise 2014 Show

The location for last night's Dior Cruise 2014 show was the stunning Promenade Casiraghi in Monte Carlo. This location wasn't just a happy accident: the fashion house has a long standing relationship with the achingly chic Principality of Monaco.

During his life Christian Dior dreamed of dressing princesses. One princess in particular was close to the designer's heart: the legendary Grace Kelly. She chose to wear a Dior gown for the announcement of her engagement to Prince Rainier of Monaco and continued to be dressed by the designer throughout her life, wearing countless Dior gowns to balls and also when she was expecting her daughter, Caroline.

Dior pieces from the archive worn by Grace Kelly

After the designer's death, Princess Grace was loyal to the fashion house so it's only fitting that the reining royalty Her Serene Highness Princess Charlene carries on the relationship with the house's current designer Raf Simons.

Grazia were invited to this exclusive show and even though the heavens opened and the planned open-sided venue had to be sealed against the elements,  the dramatic sky served Simons' modern collection well. 

Stormy Monaco - and a ray of Dior sunshine

Guests were ushered under umbrellas along (squelching) dove grey carpets to take their seats - including Liv Tyler and Jessica Biel, who were no doubt in town for the neighbouring Cannes film festival. Both Princess Charlene and her husband Prince Albert of Monaco added more glamour still to the FROW.

Raf Simon's staggering set

As models marched along the stormy landscape, Simons' love affair with fabric was evident. The designer worked with lace for the first time. In his hands it was embroidered, printed, bonded and glazed for an overall effect which was more sci-fi than pretty. 

With a sportier feel than the designer's collections for Dior to date, this summery cruise show featured embellished crop tops, lightweight jackets which fell around the calves and fell open to reveal big metallic knickers underneath, as well as sheer dresses in patchwork patterns. Zips and asymmetric hems also had their rightful place. 

Models wearing the collection at the afterparty

After the show, Simons explained that the collection was aerodynamic and went on to reveal that he had relaxed the label's famed 'bar' jacket: it looked less structured and more rounded. To sum up, this confirmed once again that he is the man who can make old new, and surely fit for a modern day princess.

Menswear Red Carpet Round Up

Chris Pine: For Tuesday’s Mexico City premiere of Chris’s new film ‘Star Trek Into Darkness’, he went with a grey double-breasted suit. We haven’t seen too many men wearing the double-breasted suit of late, but it worked for Chris at last month’s Cinema Con awards so he wisely went back to it. The suit fits beautifully and he paired it with an orange tie, which is another detail we don’t see often. His favourite Ralph Lauren tan shoes completed his look.

Zachary Quinto: Dressing upscale-casual for ‘Late Night with Jimmy Fallon’ on Wednesday, he paired his incredible Todd Snyder olive suit with a fully-buttoned navy shirt. No bad things can be said as the fit was right and the black shoes worked well, but those creases. The creases are unforgivable.

Tom Cruise: Joining Olga Kurylenko at the Japan premiere in Tokyo of Tom’s latest film ‘Oblivion’, the star opted for a grey three-piece suit with peak lapels. The colour was great but a three-piece suit must be tailored to fit the shape of the body. The waistcoat and jacket seemed a bit loose, but it’s difficult to tell when Tom refuses to button his jacket. The pants are much too long, though. The blue shirt, grey tie, and signature sunglasses gave him that movie star aura he always gives off.