Tuesday, 22 April 2014

How to Shop for Vintage Fashion Like a Pro: Langley Fox Hemingway Shares Tips from Los Angeles

There’s no shortage of well-dressed women in the world, but the ones who continuously catch our eye seem to have mastered the art of mixing vintage and secondhand pieces with current high street and designer labels. Each day this week, we’ll ask one of them to share their tips and tricks—from where to find the best Thai silk fisherman pants to how to avoid looking like a period actor. Today, Langley Fox Hemingway, the Los Angeles–based model and illustrator, talks the California flea market scene, Indiana Jones hats, and non-judgmental shopping.

What are your favorite vintage stores or flea markets?

I like the flea market on Melrose and Fairfax in Hollywood that happens every Sunday. I also enjoy Squaresville and Cherry Pick in Los Feliz, the Painted Bird, and Ragg Mopp in Silverlake, and every once in a while, the Rose Bowl flea market that happens monthly (though that one can be overwhelming, so I really have to be in the mood to search!).

Do you have any strategies when it comes to vintage shopping?

I can’t really go into normal stores to shop. I like that everything is one of a kind and things are a little weird—it makes it more unique. You generally have to try on and know that most items will have some damage or need a little alteration.

Vintage stores in LA with Langley Fox Hemingway

one shoulder bridesmaid dresses

How did you first get into vintage?

I first got into it early in high school. I remember looking at older girls who bought vintage clothes and admiring them for their originality and way of combining things. I also have always been a big fan of old musicians and classic movie stars, which is now of course “vintage.”

What labels or eras are you constantly hunting for?

I don’t really look for brand names, just things I like that are cheap, such as dresses from the sixties and seventies, suede or leather jackets, brimmed hats, old T-shirts, leather boots or oxfords, any sort of original overall, or maybe just something really silly.

Do you collect any vintage items?

I collect a lot of hats—I love hats!

What’s on your current wish list?

I think I could definitely use some more good T-shirts now that summer is rolling around and maybe a little classic briefcase for a purse (my last one broke!).

What advice or tips would you offer to a vintage shopping novice?

Go into a vintage store when you feel good, you’re in the mood to browse and try on, and know that no one will negatively judge what you pick out as long as you don’t judge it. Oh, and don’t be afraid to be silly!

What’s your favorite vintage find?

Currently my favorite vintage item that I own is my vintage Indiana Jones hat that I got for $6. I like to wear it almost every day, and I decorated it with my grandfather’s pilot pins so it’s extra sentimental.

high low prom dresses

Friday, 18 April 2014

Dior and I: seven things we've learned about Raf Simons

Dior and I, the documentary chronicling Raf Simons' debut haute couture collection, premiered at New York's Tribeca film festival last night. Shot in Paris shortly after Simons was appointed by the iconic French fashion house, director Frédéric Tcheng was given intimate access to the ateliers and beyond. Here are seven things we learned from the film.

He's not afraid of a fearsome challenge

A haute couture collection usually takes six to eight months to carefully hand-stitch together. Simons – who had never designed couture before – was given just eight weeks. The film shows the rookie retaining remarkable composure, remembering his manners and sending his hard-working seamstresses hand-written thank you notes. We fell a little bit in love with him, to be honest. Especially when he wore white shorts to work ("It's summer").

Raf Simons in Dior and I

bridesmaid dresses uk

He doesn't sketch designs; he prepares 'files'

At the newly modern, forward-thinking House of Dior – where, radically, he goes by "Raf", rather than "Monsieur Raf" – Simons creates chunky files of images and inspirations for his concepts. Each member of staff is handed a file, and everyone then sketches their ideas, creating around 200 for each prospective suit, dress or skirt.

Even Dior jumps to the demands of wealthy customers

Simons needs to see all the frocks-in-progress, but one of his two premieres (the heads of the atelier) is nowhere to be found. "Is she ill?" he asks. No, she's in New York. A regular client has demanded an immediate fitting; spending €350,000 a season on couture means your demands trump Dior's creative director's, it seems.

Fashion goes beyond the boundaries of language

Simons, 46, doesn't speak French – which does seem a little odd for a Belgian, non? But he muddles through valiantly in franglais, with the help of his "right hand", his adorably cheerful long-term assistant, Pieter Mulier, and his frequent invocation of the catch-all "sublime".

His floral displays put Elton John's posies to shame

Christian Dior show

kissydress strapless prom dresses

Inspired by Jeff Koons' giant flower puppy, Simons filled every high-ceilinged room of a Paris mansion with thick walls of fresh blooms for his first show. His aim, for it "to look like the fucking puppy in Versailles", took 1m flowers and the work of 50 florists to achieve. Even Anna Wintour is seen commenting on an obvious lack of budgetary constraints.

Simons is an innovator, not a disciple of New Look nostalgia.

"The past is not romantic to me," he says at one point. "The future is romantic to me." But his innovation is sometimes frustrated. He wants to try a technique called imprimé chaîne, to re-create the artist Sterling Ruby's modernist prints on fabric. But only four engravers in France know how to do it, and they're all busy, he's told. Less bothersome, however, is simply spray-painting his spin on the coveted, classic white Bar jacket, rather than wasting time making an actual black one at the last minute.

He's not afraid to cry … just to face his public

When the imprimé chaîne finally comes together, Simons gets more than a little misty-eyed; and backstage at the show, he's in urgent need of hanky. He almost fluffs his bow from nerves, and refuses to walk the full length of the runway, threatening to faint. To be fair, we see his point – with an uber-A-list front row of Jennifer Lawrence, Charlize Theron, Marion Cotillard, Harvey Weinstein, Grace Coddington and Marc Jacobs, we'd probably suffer a spot of stagefright too.

Tuesday, 15 April 2014

Viktor & Rolf Take You to the Candy Shop

At their couture comeback in January, Viktor & Rolf wrapped up the show with a surprise reveal of their spring fragrance launch. Above the catwalk appeared a supersized image of model Edita Vilkeviciute, shot by Inez & Vinoodh, wearing nothing but body paint, holding a bow-shaped bottle of Bonbon. “We liked that her skin was becoming clothing in a way,” said Viktor Horsting. “She’s nude but she’s not. She’s dressed in paint. Her skin becomes like a garment. It was a [conceptual] way of saying that perfume could be worn like a garment.” The body art alone took about twelve hours to apply. The couture collection likewise had blurred the lines between skin and clothes, with tattoo-like embellishments such as ruffles and bows hand-painted over flesh-tone latex dresses.

For their latest fragrance, V&R began with an icon from their own lexicon: the bow. “The thing is, a bow doesn’t smell,” noted Rolf Snoeren. “So we started thinking of candy wrappers and bonbons, because they are like bows. And they smell [good].”

To hit the right note, they began by literally raiding candy stores. Working alongside perfumers Serge Majoullier and Cécile Matton, the design duo brought every kind of candy they could get their hands on into the L’Oréal Paris headquarters. “That was a fun exercise. We tested chocolates, caramels—all kinds of sweets. But we immediately became addicted to a specific caramel note. The buttery note of caramel was very sexy,” said Snoeren. “Sweet but also sexy. Grown-up.”

bonbon-crop

mermaid prom dresses

Once Viktor & Rolf zeroed in on their “couture” accord, Matton and Majoullier spun the original idea of candy into an olfactory ode to pleasure. “There are so many directions you could go,” observed Horsting. “We wanted something luxurious. The name might suggest girliness, but it had to be grown-up. It’s not a game of seduction. The attitude is more about being at ease, about self-indulgence and empowerment.”

Although the fragrance at first seems nearly edible, it is anything but facile. “It was important to not just create caramel-à-porter,” explained Matton. “We took the gourmandise aspect to the extreme.” Adds Majoullier, “The tricky thing about caramel is that you have to dress it up without concealing it.”

The perfumers went about addressing the challenge by declining to use patchouli, for one thing. Said Matton, “We were inspired by variations in texture. The caramel changes as the perfume evolves: It’s crackly on top, creamier at the heart, and more concentrated at the base. There’s a clothes-like structure—it’s a representation.”

Ultimately, the Bonbon caramel ventured into a more woody, sensual terrain, rounded out by a sprinkling of fruity notes to break up its richness. The fragrance opens with sparkling notes of mandarin and “Paradise peach,” warming into a sunny jasmine and orange blossom heart before settling into a gently overcooked woody amber base with notes of gaic and cedar.

“Bonbon is not for any one woman,” offered Horsting. “[It’s the same with] Flowerbomb, which had such fantastic reach. We don’t want to create limits.”

short princess prom dresses

Thursday, 10 April 2014

Get That '90s-Beauty Vibe, in a Completely Non-Tragic Way

They (whoever the hell "they" are—Illuminati?) say that fashion and beauty trends are cyclical, and everything comes back after about 20 years. That means we're smack-dab in the middle of the '90s again. I've totally been there and done that, in middle and high school, and it was all terrifyingly terrible. With those feelings in mind, I've taken these boomeranged '90s beauty trends and given them a slightly modern tweak so I can avoid flashbacks of the most awkward time in my life. Now I will be able to continue living like a friggin' human being, for the most part, without having to listen to a Jock Jams compilation album on repeat.

Chocolate Rain Nails

90s-beauty-chocolate-nails.jpg

navy short bridesmaid dresses

Yes, I used a "Chocolate Rain" reference in 2014. I know not what I do. The bad mofos at Floss Gloss sent me a sample of Blood, Suede & Tears a while back, and I have never gotten around to using it until now. There's a reason for my madness: I have deep-seated issues with chocolate brown nail polish. It was my polish du jour (for every jour) in high school, so I'm almost still burned out on it. Like the Celine Dion Titanic song. They're both still filed under "too soon" in my brain.

But then I actually TRIED this polish, and it's pretty damn boss. I decided to top it off with my OPI Matte Top Coat to give it a more leathery look, and it looks zero percent like my high school nails, but still has a hint of that '90s vibe. IN YOUR FACE, 1998!

Brows to the Max

90s-beauty-bold-brows.jpg

chiffon short prom dresses

OK, so maybe the '80s are the most known decade for big-ass brows, but I refuse to think about sperm-y eyebrows of the mid to late '90s. I can't. I'm talking those lush-to-death Linda Evangelista brows that just won't quit. Those things are bad boys for life. (You know Puffy's going to try to sue me now.)

The biggest, boldest brows are built in two steps. (And in a day. Take that, Rome!) First, create the shape of the brows you want with an eyebrow pencil that's a couple of shades lighter than your hair color. Because this is the part that really shows on your skin and doesn't stick to your hair, you don't want the pencil to be dark and superobvious. After you've penciled up, fill in the stencil you've created with a slightly darker-than-your-hair brow powder. Always follow the direction of the hair growth of your brows to keep them looking natural and non-tattoo-like. Viva la bushy brow!

Kate Moss-esque Zero-Effs Grunge Hair

90s-beauty-grunge-hair.jpg

The queen of '90s-I-don't-even-care-about-anything-I-just-happen-to-be-hot-and-my-boyfriend-is-Johnny-Depp hair is obviously Kate Moss. Kate's like, Wheeee! I just woke up this way! Next to Johnny mf-ing Depp in his sexy prime! I have quirky and adorable teeth! I kind of paved the way for Kirsten Dunst! I never got a thank-you letter for that, but I'll let it go! Frozen! Adele Dazim! Isn't my hair so damn recklessly fabulous?"

Here's the best thing about this '90s-hair resurgence: It's perfect for lazies. It really looks best with air-dried, messy hair, and this takes almost zero effort. And really, second-day hair works even better, if you can stand it. I usually can't do second-day hair sans chapeau (thanks, seven years of French), but I treated my slightly oily hair here with the Jonathan Dry Dirt spray (which I was given a sample of) to sop up a little grease and add some texture and volume. My non-blow-dried hair is as limp as the limpest noodle (insert your own dirty joke, freak-a-leeks), so I've been using Dry Dirt on the daily, and it's the perfect mix of texture with a teensy bit of hold. The cherry on the '90s-hair cake (that's disgusting) is a deep side part, so part it up. OK, where's Johnny Depp? Side note—how often do you think JD washes his hair? Twice a month, tops, I bet.

Gloom n' Doom Lips

90s-beauty-dark-lips.jpg

Remember, like, seven paragraphs ago when I told you I was almost irreparably damaged in my beauty brain by my own brown-nail history? I pretty much felt the same way about dark lips, man. As you can see in exhibit A above, I really favored dark brown lips in my teenage years. So when the dark-lipped trend recently reared its beautifully monstrous head again, I had to find a way to flip the script to let the darkness back into my life, without feeling like I was participating in a horrible Freaky Friday–like experiment.

I achieved this by pretty much living and dying by this picture of Lily Collins when it comes to dark n' lovely lips. Instead of a brownish-based lip, I favor deep reddish burgundy, like Urban Decay Revolution Lipstick in Shame. For maximum impact, I keep the rest of my mug relatively on the down-low and let my lips do the talking. It's like my old-school brown-lip game with a new-school twist. As for my choker collection, it's been put out to pasture. Sorry, world, I'm not ready.

Monday, 7 April 2014

Statement Jewellery

Indian jewellery designers are making their presence felt on the auction scene. Here’s taking a look at what’s going under the hammer:

CARAT COUNT

Up for bidding today at an auction by Sotheby’s will be the Spectacular Diamond Necklace by jeweller Nirav Modi. This one-of-a-kind creation, to be auctioned in Hong Kong, has a reserve price of Rs 50 crore. Modi, a well-regarded name on the auction circuit and known for his penchant for high-quality and high-value diamonds, is hoping to break some records. Mounted in platinum, with 17 Type IIa brilliant-cut diamonds, with D-IF colour clarity, “excellent” grading in cut, polish and symmetry and weighing 85.33 carats, this necklace promises to be quite the dazzler. “Rare and exceptional diamonds have always been at the heart of Nirav Modi creations. This jewel is another stellar example of this trait,” says Modi, in the concept note describing the neck piece that involved at least 300 man hours to create.

Nirav Modi

kissydress celebrity dresses

JEWELS FOR A CAUSE

When jewellery designer Mira Gulati, founder and principal designer, Mirari, heard of Project Blossoming, she knew she had to be a part of it. The project is a philanthropic partnership by Gemfields, a leading supplier of coloured gemstones, with the NGO Nanhi Kali to support the cause of girl child education. Apart from Mirari, Gemfields has roped in nine leading jewellery designers to create collections that will be auctioned by Christie’s in Mumbai on June 6 to raise funds for Nanhi Kali. The line-up includes Amrapali (Jaipur), Hazoorilal (Delhi), Tibarumals Jewellers (Hyderabad), Talwarsons (Chandigarh), Moksh (Mumbai), Narayan Jewellers (Baroda), Lala Jugal Kishore Jewellers (Lucknow), Anmol Jewellers (Mumbai) and Abaran (Bangalore).

Inspired by the meaning of Nanhi Kali, Gulati, for instance, has created “Cherry Blossom”, a collection of a necklace and earrings. “Cherry blossom flowers, an important part of Japanese art and culture, mark the arrival of new beginnings and represent hope. Our contribution comes with a similar idea for the cause,” says Gulati.

bridesmaid dresses uk

Wednesday, 2 April 2014

Plush keeps your handbags in shape

With Plush, luxury bags can now look and feel as beautiful as the day you bought it.

THE days of seeing your designer bags out-of-shape are finally over.

Have you noticed that despite storing it away carefully in its dustbag and stuffing to the brim with paper and tissue, it still emerges resembling a deflated parfait with wrinkles and scuffs?

These were the very thoughts that crossed the mind of entrepreneur and bag-lover Nazreem Musa, the managing director of Plush..

“I could see my mum’s vintage Chanel bags get increasingly scratched and bent out of shape over the years and I just thought it would be great if there was a way to help maintain these luxury bags’ shape and leather and so, the Plush pursepillow and chain wrap was created,” he said.

Plush pursepillow.

kissydress bridesmaid dresses

Nazreem had already immersed himself in the family business with his mum when he first came to know about foam-wood-polyprophylene-steel.

“Watching this machine, in my mum’s company, create the foam used in mattresses, it dawned upon me that it would be great as a purse pillow.”

Available in five different measurements, the mini, petite, jumbo, maxi and grande, Nazreem said the best way to pick the appropriate plush pillow size is to choose a pillow that is one to two inches smaller than the bag.

As a point of reference, a mini would be for a wallet and would fit an Alexander McQueen clutch nicely. The dimensions of the petite would fit a Chanel medium flap bag while the jumbo would suit the Chanel Maxi and Jumbo bags. The maxi is better suited for the 35cm Hermes Birkin or Celine Phantom bag while the grande is meant for the 40cm Birkin. “

Even two pillows could be used if the bag is bigger or deeper. Otherwise, we are also open to custom orders,” said Nazreem.

The various sizes of the Plush pursepillow.

kissydress red prom dresses

“There will be varying colours and materials in time to come but for now, I am using purple to start. I believe that even the inside of your bags need to be beautiful and well maintained and when spending thousands of dollars on a handbag, it should tally with how it is cared for.”

Adding further value to your precious accessories is the Plush chain wrap. This is a cover which can be wrapped around the chain or metal straps of handbags to prevent it from tangling or from scuffing the leather.

Sunday, 30 March 2014

Flying to Delhi to lose the belly

A lifelong quest to lose her dangerous excess weight is leading one Nelson woman to have bariatric surgery in New Delhi. Naomi Arnold reports.

This December, Michelle Allwright will be on Dr Randeep Wadhawan's operating table in New Delhi, having more than half her stomach stapled up, cut off, and pulled out through small holes in her skin.

The Richmond woman has had it with diets, points, plans, good intentions, hope, and failure.

The vertical sleeve gastrectomy she will have in India is her only solution now; and once it's done, there is no going back. She will return home just in time for Christmas.

Allwright's grandmother put her on her first diet in the early 1970s, when she was 12. Named The Microdiet, it consisted of milkshakes and powdered soup. "It was disgusting, and I don't imagine any 12-year-old would find that remotely filling," she says. "It was awful. And it just went downhill from there."

Of English stock originally, Allwright, and countless others of her generation, ate dinner to a backdrop of stories about the Depression and how she must clean her plate at every meal.

"I come from a family of good food, good times, and not in small doses," she says. "I was definitely brought up on too much stodge and dripping. Dripping sandwiches, for God's sake. I mean, they're yummy, with lots of pepper and things - but ..."

As she entered her teens she was wearing clothes bearing the same number as her age: size 16 at age 16, size 18 at 18. Today, she weighs nearly 150 kg and wears a size 26. You're morbidly obese if you have a BMI of over 50; Michelle's is 51. A healthy BMI is between 18.5 and 24.9.

"You get to a point where it's like: A BMI of 51? Hello? There's two of me now, and that's ridiculous," she says. "I'm 41."

DRASTIC MEASURES: Michelle Allwright is going to India for stomach surgery to reduce her weight.

mermaid prom dresses | yellow prom dresses

At an event recently, she ran into an acquaintance who had the same procedure in the same hospital with the same surgeon. The woman was unrecognisable; over about 18 months, she had dropped from a size 18-20 to an 8-10.

Allwright would not qualify to have the taxpayer fork out for her operation, and doesn't have the money to have it done privately - up to $35,000.

Organised through medical consultants Forerunners, the total trip is costing her just under $10,000. "One good thing is I won't be eating anything so that should bring the prices down," she jokes.

Her GP at home in Nelson warned her of the general risks of the procedure, but told her to go for it if that was what she wanted.

Medical tourism is big business in India. "You're treated like royalty," Allwright says with a wry laugh. "This is their business. We are the princes and the princesses that are keeping their economy afloat. It's as simple as that."

Her laparoscopic surgeon, Dr Wadhawan, is the director of Fortis Hospital's department of minimal access, bariatric, and gastrointestinal surgery.

He has performed more than 30,000 laparoscopic surgeries in his 21-year career, and patients from other countries include the United States, Canada, the UK and Germany, Nigeria, Kenya, Tanzania, Rwanda, Ghana, South Africa, Congo, Iraq, Kuwait, Dubai, Oman, and Australia.

The department performs between 150 and 200 bariatric procedures every year.

Allwright is comforted by being able to Skype him from New Zealand to find out more about what will be happening to her on his operating table.

"God, could you do that in New Zealand? Not a hope. Imagine that! You can actually have a conversation with your surgeon."

Dr Wadhawan said that about 20 per cent of his patients are foreigners, and the number of New Zealanders he's performed the surgery on would be "in the double digits". He says it's a low-risk procedure that sees most patients losing a third to half their excess body weight within a year.

After a pre-op diet of high-protein shakes, Allwright will leave New Zealand on December 13, spending a night in The Stay Inn. The bed and breakfast, which is 10 minutes' drive from the hospital, specialises in pre- and post-op stays for Westerners.

On her first day she'll undergo a slew of testing, and the following day will have the one-hour procedure.

She'll stay in hospital a further three days, ingesting only liquids, and after a leak test she'll be free to travel. She'll follow a post-op eating plan for six weeks, ingesting only soft foods and eventually move back to normal eating.

The only difference will be that her stomach won't be able to hold much more than half a cup of food.

Allwright and her husband Tony Fowler's three teenage kids have been supportive. "They've seen me struggle psychologically and emotionally and they're all in," she says. "I wasn't sure how they'd react, but it was sweet."

She can't walk far, and has developed skin issues and lower back pain. A family holiday in Melbourne for her 40th saw her struggling to keep up.

"I know I was restricting them from having more fun," she says. "That's where I'm at now. I can't imagine where I will be in 10 years."

She's never got to maintenance stage with her weight, and never remembers not being aware of it.

"You go through stages of going ‘I don't care about my weight, f***the world, but the reality of that is you'll probably put on 5-10kg by saying that," she says.

"Then you go ‘Look at the mess you've got yourself in now'. It's exhausting.

"All diets work," she says. "I'm not a complete fool. But can you maintain them? Are they part of your lifestyle? Can you get to the point where you can live normally? It needs to be sustainable, and you just get this yo-yo. It's not sustainable, you do fall off the wagon and it goes on plus a bit. That's the trap."

Her husband says the surgery is an investment in her future - one he's been watching her struggling to change for years.

"As long as she's happy," he says.

The surgery is a "tool" for her, she says. "It's not a magic bullet. You still have to exercise and all the rest, but it's the best tool I can find for me that's a permanent solution."

Allwright is entertaining and self-deprecating, but she admits she's nervous about people's reactions when she reveals her story. Since she has told a few people about her plans, she's had several approach her on the sly to find out more. Because being fat and not being able to do anything about it is quite normal in New Zealand. The obesity rate is rising steadily over the past 15 years, from 19 per cent in 1997 to 28 per cent in 2011-12. Sixty-five per cent of adults and a third of our children are obese or overweight.

Despite there being no cost-effectiveness studies on publicly-funded bariatric surgery in New Zealand, American studies have found the initial cost of surgery was completely recovered in two to five years.

University of Otago professor Andre van Rij, a bariatric surgeon at Dunedin Hospital, says weight-loss surgeries are much more accepted today than they have been in the past.

"The ministry is taking it more seriously, doctors are more aware of it, and are sending their patients for more surgery than they were 10 years ago."

For the morbidly obese, and particularly those who are diabetic, "it's the only option".

He points out that even if morbidly obese patients are placed on a very tight, supervised dietary programme with psychological support, the chance of them losing weight are about 5 to 10 per cent.

"These operations do some remarkable things in the body in stopping people feeling hungry. It's one of the hardest things in dieting."

The operation was low risk in the right setting, though he cautioned that those having the procedure performed privately overseas did not have the follow-up care they would receive in New Zealand, and subsequent issues would fall on taxpayers.

"When something goes wrong or they need extra attention or encouragement, they're sent back to public hospitals."

Wellington bariatric surgeon Richard Stubbs has been performing the procedures longer than anyone in the country, and agrees that surgery is the only way that people with major weight problems are likely to get a solution.

"If somebody's looking for a real answer, they need surgery," he says. "The problem in this country is that the public system is not delivering much in the way of surgery and this is pretty much confined to diabetics or those with a lot of troubles."

Conversely, he believes the best candidates are people who don't have those problems. "They're younger and have more of their life ahead of them and more of their life they can change."

However, he says people who travel overseas for major surgery take a risk of major complications. "People who travel overseas are going to sometimes get caught out, and if they do, they're going to get caught out pretty badly," he says. Major abdominal surgery has the capacity for people to become "seriously unwell", and he says that although the standard of medical care in India can be extremely high, there are also vast differences in the delivery of health care between hospitals. He's also wary of Indian hospitals advertising to first-world patients to make money off them.

"I would discourage it. On the other hand, I understand the desperation people feel."

Although it's a large chunk of change to pay, she feels lucky to have the support and funds to go through with it. Both she and Fowler come from lower socio-economic backgrounds; she was a minimum-wage caregiver for years, a solo mum with three kids. Fowler was an electrician and retrained as a pilot, and Allwright went back to school at 37 to enable her to take up her position with Nelson Marlborough Institute of Technology as an applied business tutor.

"It wouldn't have happened 10 years ago. I feel lucky that I'm in the position I am, that we've worked hard for what we've got, and the opportunity has arisen."

Fairfax spoke to a 35-year-old Waikato woman who had the same procedure in the same hospital three years ago.

Arriving in India was a big cultural shock - and so was the hospital, she says. "They have an international patients' department but you're put in a room with six or seven others - there's no privacy. But the medical system, even if it was differently run, was superb.

"I was thinking: ‘Am I getting scammed, is this dodgy?' But the whole procedure was fantastic. The doctor was really good; he has done a lot of surgeries over there, whereas a lot of our doctors here haven't done a lot of them."

She also says she felt supported by the hospital in arranging follow-up care if it was needed, but she did not have any complications.

Since then she's lost 50kg, dropping from 116kg to around 65kg, and has become more confident. She's particularly enjoying being more active.

"It's changed my life in many ways," she says. "If you've never been overweight you don't realise how tiring exercise is on your body.

"People think ‘Can't you go for a walk?' but you get so tired, dragging around an extra 50kg on your body every day."

Her energy levels are "through the roof" and she loves going out. "Before, I was too paranoid or embarrassed. I didn't want to venture far from the house. Now I'm out everywhere."

She can eat anything she wants these days, but less of it - for breakfast on the day she talked to us she had a piece of toast and a poached egg. "Once you go through something like [surgery], you do change your eating habits. A few people have had it and put the weight back on. But because you have an eating problem, you have to use the surgery as a major tool. It's not a miracle solution. It is all about moderation, it really is."

Allwright is looking forward to having a body and brain that no longer treats food as a drug.

"All that counting, the portions, the food, feeling hungry, emotional eating - it's all gone," she says. "What a relief. Imagine that. I don't know what it's like, but that's what I'm looking forward to - not having that as the foremost thing in your head every day, every hour you're awake."

She won an award at work this year, and last Christmas a relative asked her if she ever patted herself on the back and congratulated herself for doing well.

"I said no. Because this is the one thing I can't do. Academically, I'm fine, I've got a degree. But this is my mountain. It's the one thing I can't beat. And it's the one thing I want to beat."